小雪酒店/1990uao
Sohsul Hotel by 1990uao
2014-12-30 15:54:39    | keywords: 酒店    室内  细节  设计  视觉延续  1990uao 
小雪酒店/1990uao
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Courtesy of 1990 urban architecture office. Photographer: MTO, Sun Namgoong. 感谢1990 urban architecture office的投稿,90degree版权所有,不得转载。

 
细节概述
细节通常产生于事物的发展过程中,在建筑设计中尤为如此。现代建筑大师密斯·凡德罗就十分注重设计的细节——“精准度”,认为“细节就是上帝”;然而,荷兰建筑师雷姆·库哈斯则持有截然不同的观点,认为设计“理念”高于一切,“不谈钱,不谈细节,只谈理念”。在室内设计师的眼中,细节却是设计过程的开始,同时也是设计过程的关键与核心,而在该酒店项目的设计过程中,“细节”设计也贯穿始终。“细节”不仅仅局限于合理的元素拼接和物料的加工,就某种程度而言,细节是激发设计灵感的源动力,并可塑造出各相邻物料间的和谐之美,甚至亦可赋予整个空间某种特性。每种物料都各有千秋,适当的细节处理便能使其各自绽放异彩。合理呈现的细节与众不同,而这种与众不同便形成了该项目的主体设计元素。
 
地板、墙面和天花板
该酒店客房室内设计中的地板、墙面和天花板,正如同建筑设计中的地面、石柱和屋顶,都是司空见惯的基础设计元素。设计师们形象地将古老的建筑史视为一个脚踏实地、背倚墙面、头顶天花板的巨人。然而,这些看似全无交集的元素在该项目中的巧妙结合却显得独具匠心。通常的地板铺装材料在这里却被用作墙面或壁橱的装饰材料,且部分墙面与天花板或走廊也采用统一的铺装装饰,形成视觉相连,而部分区域的地板则与天花板在明镜反射中相互映衬,视觉延续之美尽显其间。常用为阳台外墙的铺装材料也在客房室内墙面铺饰的运用中显得别具一格,甚至运用于整个室内空间的装饰中,形成一种独特的视觉震撼。酒店地库楼梯间内高耸狭长的墙面笼罩着神秘的光环,其顶部弯曲折叠,从而构成半拱状特色屋顶。马赛克图案妆点着一楼大厅的地板及天花板,而在顶层阁楼上,则覆盖性地装饰着整个地板、墙面及倾斜式屋顶,空间的视觉统一在其间得以完美演绎。此外,酒店内所有的地板及墙面边缘均铺设有基线板,满足了相应的功能需求,进而融入地板及墙面,形成其中的一个部分。位于墙面和天花板边缘的嵌线也是存在并穿梭于这两种不同设计元素间的饰面材料,同时,门窗与墙面也以相同的方式形成类似的构造关系。这些寻常的建筑设计构成元素是打开该项目设计之门的“一把锁”,设计师通过对“这把锁”的综合解析、判断以及设计师本身的直觉和悟性,成就了小雪酒店极具个性的室内设计风格。
 
材料与物质
材料往往嵌入于物质与材料本身所构筑成的建筑作品之间。换言之,物质在材料融入后更加形象化、具体化,而材料的组合则造就了建筑作品的诞生。然而,就材料而言,还必须具备另一要素,方可形成建筑艺术,而非只是一幢简单的楼房,那便是所谓的特质。特质是物质之所以称之为物质的先决条件,而将特质融入材料,则需要设计者对材料本着一份尊重的态度。该项目中,既体现了设计师对于材料的这种尊重,同时也夹杂着些许叛逆与个性。真实与虚幻相融,本质与表象并存,必然与偶然交织,如同镜中映像,亦幻亦真。项目中的石材选用轻薄而明快,却不失沉稳厚重的视觉呈现,正如树木纤柔温和,却仍显坚韧挺拔。砖块铺装时而厚砌,时而薄贴,相得益彰。瓷砖与墙纸铺装难以通过适当的空间位置及功用进行清晰辨识,但是两者属性相近,均用于墙面装饰,因此也无需特意区分,形成一定的视觉错觉反而更增添空间的趣味性。每种材料虽各安其位,却仍会以截然不同的形态呈现于意料之外的地方。在该项目中,材料由物质构成并以另类的方式诠释,两者在各自表象与特质间和谐交融,打造出一个又一个充满个性的趣味酒店客房空间。
 
镜内镜外
“镜中世界悄无声息。镜中之我如左撇子般,无法与真我握手。镜中之我,似我非我。”地板和天花板或在镜中,或在现实中相互呼应,且其尺寸、形状均相似,处处演绎着亦真亦幻。然而,人类总是行走于地板之上,而徘徊于天花板之下,因而,这样的空间错觉呈现,是好是坏,设计师也并无太大把握。地板和天花板看似各异,却又相似,看似相同,却无法等同。只是,在本质上,它们毫无二致。地板变成了天花板,天花板则又幻化成了倒映地板的一面镜子,使人走在地板上时不免产生一种错觉,仿佛从天花板俯视下方一般。因此,室内的照明设备可同时投影于地板和天花板上。当然,在一些客房中,实际上,地板和天花板都未安装任何镜质设施,而是通过真实的铺装营造出延续与倒映的视觉错觉。酒店大厅的黑色不锈钢面板材料覆盖着整面弧形墙面,使天花板上随意散落的灯光扭曲失真,如同满天繁星。正对客房入口的墙面上装有一面镜子,映出一个永远无法通行的意象出口。进入客房,两间卧室分立两旁呈现眼前,不过,不必苦恼应该选择哪一间,因为其中一间只是一个永远无法触及的世界罢了,真假辨识间享受着视觉延展的奇妙。镜子中从地板到门口的组合灯光影像,与进入时地板上所形成的光影如出一辙,这是一个现实与错觉重叠的时刻。每个人每天都会至少一次对着镜子刮胡修面或梳妆打扮,镜子是人们日常生活中最稀松平常的物件,而在该项目中,镜子所扮演的角色却非比寻常。
 
家具陈设
每间客房内都摆设着许多家具,如床头柜、壁橱、桌子、书架、洗手池和浴缸等。但是,并非所有家具都是额外购进的,部分家具是墙面设计的衍生物,如嵌墙式床头板,而床头板的特定部位又可形成一张小小的床头桌。室内地板形成高低落差,像广场上宽大的阶梯,可用作惬意的客房座椅或护背;地板的中间部位挑高,亦可充当桌子和床头板;浴室内的洗手池和淋浴间其实也是客房地板的延伸。放置电视机和笔记本电脑的长桌亦可灵活用作壁橱、浴室和房门地板的踏板。此外,房中的下沉式地板装满水后,便成了一个大型浴缸,精雕细琢的圆形石材从墙面向外延伸,成为洗手池,设计灵动而富有生趣。墙面与卧室空间形成水平对接时,一个大型床头板便魔幻般呈现眼前,倾斜地依偎于床边。于是,床便不再是孤立存在的家具元素,而是与卧室融为一体其中一个部分。

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酒店大厅    Lobby

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酒店大厅    Lobby
 
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走道     Corridor

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地下室楼梯间
Stair Hall to Underground
 
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下沉式套房
Down Suite

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下沉式套房
Down Suite
 
\松木豪华套房
Pine Deluxe

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纯净豪华套房
White Deluxe
 
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立方体主题套房
Cube Suite

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镜中幻境主题套房
Mirror Suite
 
\左图:纯净豪华套房    Left:White Deluxe
右图:林间套房    Right: Forest Suite

\梦幻套房
Illusion Suite
 
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拱顶套房
Dome Suite

\拱顶套房
Dome Suite

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左图:地下室楼梯间    Left:Stair Hall to Underground
右图:拱顶套房   Right: Dome Suite
 
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古典阁楼套房
Triple Cinema Penthouse

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日内瓦套房
Geneva Suite

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古典阁楼套房
Triple Cinema Penthouse

\古典阁楼套房
Triple Cinema Penthouse

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左图:温泉泳池阁楼套房    Left:Spa & Pool Penthouse
右图:古典阁楼套房    Right:Triple Cinema Penthouse
 
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温泉泳池阁楼套房
Spa & Pool Penthouse

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温泉泳池阁楼套房
Spa & Pool Penthouse

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温泉泳池阁楼套房
Spa & Pool Penthouse

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温泉泳池阁楼套房
Spa & Pool Penthouse

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温泉泳池阁楼套房
Spa & Pool Penthouse

\温泉泳池阁楼套房
Spa & Pool Penthouse
 
 
Detail
It is a common sense that detailing takes its place at the later phase of process, and this is especially true for an architectural design. However, on the other hand, I think it is possible for detail to be the beginning of the process. The more so, if the process is for interior design. Although Mies van dero Rohe said “God is in the details” to emphasize and Rem Koolhaas stated “no money, no detail, just pure concept” to put of the plan before anything, the detail was what connected the beginning and the end of this project. The detail is not limited to properly joining and finishing the materials. It motivates the design, brings harmony to neighboring materials, and sometimes the detail itself grant certain characteristic to the whole space. Every material has its own unique characteristics and it can be revealed through the detail. Properly displayed detail distinguishes itself from the other materials, and that uniqueness became the main material for the design for this project.
 
Floor, Wall and Ceiling
Floor, wall and ceiling of the room are such common elements for architecture just like ground, column and roof.  Hence, an old history of architecture can be defined as standing on the ground with your both feet, leaning your back against the wall and keeping your body under ceiling. However, these elements, which seem to be all segregated, are treated slightly different in this project. The material that were usually used on floor is now applied on wall or closet, some part of the wall is connected to ceiling, and floor and ceiling is reflecting each other like a mirror. Exterior wall material that were usually seen from a balcony is not forming a wall inside the room and even surrounding the entire interior space. The top of the fathomless wall, which is tall and lengthy, is bent and folded, hence, forming front desk and half arch on top and the mosaic pattern that is decorating the floor and ceiling of the 1st floor lobby covers the entire floor, wall, and slanted ceiling once it gets to the pent house on the top floor. As shown in interior finish material legend of all architecture sheet set, baseboard displaced at the edge of all floor and wall. Such element, which was added due to functional requirements, is part of both wall and floor. Molding at the edge of wall and ceiling is another example that exists and travels between two different elements. Door and window also makes the similar relationship with wall in the same manner. All these regular elements that construct the architecture become a key for a design, and the result is obtained from the mixture of interpretation, decision, intuition, and response of this key.
 
Material and Matter
Material lays in-between matter and the result of the work using that material. In other word, matter turns into material and material turned into building. However, there is another factor that material must have in order for it to be an architecture not merely building. That factor is called attribute. Attribute is like a prerequisite for the matter to be that matter, and a special process is required in order to put attribute into material. It's the respect (or attitude towards) for material. In this project, fidelity and betrayal toward that respect coexist. Real is mixed with fake, thing-in-itself and phenomenon coexist, and characteristic and accident intersect each other. Like the way the image on a mirror exist yet differ from its origin, stone is thin and sharp yet heavy, and tree is soft and warm while it is still hard. Brick is thickly stacked in one place, yet sliced and cladded in another place. Although, it is hard to distinguish tile and wallpaper using their applied location and purpose, they are in fact the same as they both serve the same purpose of cladding. Every materials stay in the place where they belong to, but still appears in unexpected places with the different image. In this project, material is made from matter, but they share half the appearance and personality of matter.
 
Mirror
“There is no sound in the mirror and me inside the mirror is unable to shake my hand as he is left handed, however, me from the mirror, who is opposite of me, is actually somewhat similar to me.” (Yi Sang) Oftentimes, floor and ceiling share similarity in many ways. They both have similar size and shape. However, man always walk on the floor and stay under the ceiling and it is uncertain whether it's good or bad. They are different, yet similar to each other, and they look alike, but certainly not the same. But now, they are made to be perfectly identical to each other. Floor becomes a ceiling and ceiling becomes a mirror of a floor producing an illusion of looking down on a ceiling while walking on the floor. So the interior lightings are projecting both floor and ceiling at the same time. Of course, neither floor nor ceiling has a mirror on them. Black stainless steel is covering the entire curved wall and distorting naturally scattered chaotic lights on the ceiling into stars. The wall with a mirror on the opposite side of room entrance creates another exit that can never be used . Once you go into the room, you will encounter two bedrooms on each side, but there is no need for making a hard decision as one of the bedrooms won't be able to shake my hands. The shape of combined light from floor and the door inside the mirror is the same as the one that appears on the floor when you open the door. This is the overlapping moment of reality and delusion. Everyone look into a mirror at least once a day to shave or wear make-up. Mirror is a familiar object that people use in their everyday life, but in this project, it plays the role that grants a bit of unfamiliarity.
 
Furniture
There are many furniture that are occupying the room, such as bedside table, closet, table, shelf, sink and tub, but not all of them are brought from the outside of the room. Part of the wall pops out and changes its form to a headboard and certain part of that headboard turns into a small table. The floor, which has different heights like wide stairs of plaza, changes into chair or back support, center part of the floor rises and functions as table and headboard, sink and shower booth, which are part of a bathroom, are actually extension of room floor. A long table, where the television and laptop is placed on top, can be a mat for closet, bathroom and entrance floor. When water fills the sunken floor, it naturally becomes a tub, and carved round stone sticking out from the wall becomes a sink. When this wall reaches the bedroom horizontally, it becomes a large headboard that surrounds the bed obliquely  At last, the bed is no longer furniture.  Bed is now part of the bedroom.
 
 
项目信息:
项目位置:韩国首尔瑞草区半坡大道14街53号
项目类型:精品酒店
酒店规模:52间客房(共计12款室内设计风格)、大厅、餐厅、多功能厅
总建筑面积:3 771.03平方米
建筑范围:地下二层及地上13层
客户及施工:Youngwoo Seo (Bit Sal Co.)
地板装饰材料:木地板、大理石、瓷砖(意大利)
墙面装饰材料:木材、大理石、瓷砖(意大利)、人造墙纸、环保涂料
天花板装饰材料:瓷砖(意大利)、人造墙纸、环保涂料
项目摄影:MTO、Sun Namgoong
 
Project Credits:
Location: 53, Banpo-daero 14-gil, Seocho-gu, Seoul, S.Korea
Program: Boutique Hotel
Hotel Features: 52 Rooms (12 Types), Lobby, Restaurant, Multipurpose Room
Gross Floor Area: 3,771.03С
Buildings Scope: B2, 13F
Client & Construction: Youngwoo Seo (Bit Sal Co.)
Floor Finishing: Wood flooring, Marble, Tiles (Italy)
Wall Finishing: Wood, marble, Tiles (Italy), Made wallpaper, Eco-friendly paints
Ceiling Finishing: Tiles (Italy), Made wallpaper, Eco-friendly paints
Photographer: MTO, Sun Namgoong
 

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