搏动每一秒/Studio Echelman
Every Beating Second by Studio Echelman
2015-01-23 09:51:54    | keywords: 艺术  装置  视觉  雕塑  Studio  Echelman 
搏动每一秒/Studio Echelman
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Courtesy of Studio Echelman. 感谢Studio Echelman的投稿,90degree版权所有,不得转载。
 
 
艾克曼工作室创始人,艺术家珍妮特·艾克曼,在“搏动每一秒”系列艺术雕塑装置的设计中将虚拟元素融入极限自然艺术创作,巧妙地将观者的视线引入到真实与虚拟自然力所交替营造的艺术世界中。该系列雕塑装置的安装首先需要在屋顶天花板上凿出三个圆形天窗,而后以这三个天窗分别作为三个中心点,将三个层次分明、质感细腻的半透明有色网状物悬挂其上,进而形成三个形态撩人的空中立体式艺术雕塑,倒映在水磨石地板上,阳光透过天窗、穿过网状雕塑洒向室内,营造出夏至日才能瞥见的独特光影,整个室内空间沉浸于迷离的光影世界中。白天,阳光洒下天窗所投射出的真实光影与地板上呈现出的虚拟光影相互追逐、相互融合,为室内平添了空间活力与视觉乐趣;夜晚,在彩色艺术效果的作用下,三个网状雕塑从靛青到紫红,再到品红、橘红,变换着不同的颜色,使得原先平实普通的室内装潢显得生气十足。机械化气流动态效果通过计算机编程植入到网状雕塑装置中,在每日固定的时间段内,这三个雕塑流畅飘动,如同在自然微风的轻拂中婀娜起舞。
 
珍妮特·艾克曼将纤维编织、打结,并缠绕成雕塑网状形态,悬挂于粉状镀层钢架之上,形成整个艺术雕塑的物理载体。每个网状雕塑的周长为120英尺(约37米),尽管体积较大,但展现出的艺术形态却显轻盈、飘逸。就其外观而言,雕塑轮廓如同海湾天际漂浮的云彩,细致观赏之下,又仿若金门大桥倒悬于上空。从美学角度赏析,三个雕塑亦前亦后,轻微摆动着,若隐若现的色彩光影将人们的记忆拉回到“垮掉派”诗歌运动全盛时期最为流行的爱之夏、卓越旧金山等迷幻音乐之中,同时艾克曼也将当代滨水区的创新元素和世界技术的互联性纳入到该艺术雕塑的设计中。
 
该艺术雕塑“搏动每一秒”之名取自于“垮掉派”代表诗人艾伦·金斯堡的一首小诗,寓意着珍妮特·艾克曼作为一名艺术家对于当下社会形态的高度关切:
 
生活在
现实的世界里
每时每刻
我都有必须学会放下
每一次反复的思索——
都止步于搏动的每一秒间

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Photo by Yan Yan Mao

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Photo by Yan Yan Mao

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Photo by Yan Yan Mao

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Photo by Becky Borlan

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Left: Photo by Becky Borlan
Right: Photo by Bruce Damonte
 
Artist Janet Echelman transforms the terminal with fictional nature that subtly engages viewers with real and imagined natural forces. Her sculpture installation cuts three round skylights into the ceiling, from which descend delicate layers of translucent colored netting to create three voluptuous volumetric forms. A series of shaded outlines below are embedded into the terrazzo floor, reflecting the precise shadows that would occur on the summer solstice if the sun could penetrate through the roof. During the day, sun streams through the skylights to cast real shadows that interplay with the fictional shadows in the floor. At night, the artist’s program of colored lighting makes the sculpture glow from indigo to purple, magenta to red-orange. Computer-programmed mechanized air-flow animates the fluidly-moving sculpture at different intervals throughout the day, as if the wind could magically flow through solid walls.
 
The artist achieved the sculpture’s physical presence by braiding fibers and knotting twine into sculptural netting suspended from powder-coated steel armatures. Despite their large scale, more than 120 feet in circumference for a single form, her sculpture is experienced as ephemeral and weightless. Visually, the sculpture evokes the contours and colors of cloud formations over the Bay and hints at the silhouette of the Golden Gate Bridge. Aesthetically, the sculpture looks both backwards and forwards, drawing its color from the heyday of psychedelic music, the Summer of Love, and San Francisco’s prominence in the beat poetry movement, while also referencing the contemporary bay area as a hub of innovation and interconnectivity for the world of technology.
 
The title, Every Beating Second, referring to a line by beat poet Allen Ginsberg, represents the artist’s interest in heightening awareness of the present moment:
 
live
in the physical world
moment to moment
I must put down
every recurring thought—
stop every beating second (11-16)
 
 
项目信息:
项目位置:美国 加利福尼亚州 旧金山
项目时间:2011年
艺术创作:珍妮特·艾克曼
艾克曼工作室设计团队:贝基·博兰(项目经理、色彩专家、摄影师);丹尼尔·李尔(设计支持);菲利普·斯佩兰扎(设计支持);梅兰妮·罗斯·彼得森(设计支持)等
建筑艺术:Public Architecture & Planning(圣地亚哥)
终端结构:Gensler(洛杉矶)
工程建造:Buro Happold(纽约)
设计工程:Peter Heppel Associates(巴黎)
项目顾问:Speranza Architecture(纽约)
灯效设计:Lam Partners(美国 马萨诸塞州 坎布里奇)
编程顾问:Zoll Design(波士顿)
项目材料:粉状镀层钢、有色纤维、天窗材料、水磨石地板、计算机编程气流、彩色照明
项目总面积:15 000平方英尺/176.5英尺(长)x83.5英尺(深)x28.5英尺(高)(约1394平方米/54米x25米x9米)
1号网净尺寸:1 663平方英尺/33英尺(长)x39英尺(宽)x19英尺(高)(约155平方米/10米x12米x6米)
2号网净尺寸:1 930平方英尺/30英尺(长)x35英尺(宽)x22英尺(高)(约179平方米/9米x11米x7米)
3号网净尺寸:894平方英尺/18英尺(长)x18英尺(宽)x19英尺(高)(约83平方米/5米x5米x6米)
 
Project Credits:
Location: SAN FRANCISCO, CA
Date: 2011
Art: Janet Echelman
Studio Echelman Team: Becky Borlan (Project Manager, Color Specialist, Photography), Daniel Lear (Design Support), Philip Speranza (Design Support), Melanie Rose Peterson (Design Support), Yan Yan Mao (Photography, On-site net fabrication), Rachel Kaede Newsam (Design Support)
Architect for Art: Public Architecture & Planning (San Diego)
Terminal Architecture: Gensler (Los Angeles)
Engineer: Buro Happold (New York)
Design Engineer: Peter Heppel Associates (Paris)
Consultant: Speranza Architecture (New York)
Lighting Design: Lam Partners (Cambridge, MA)
Programming Consultant: Zoll Design (Boston)
Materials: Powder-coated steel, colored fiber, skylights, terrazzo floor, computer-programmed airflow, colored lighting
Total area: approx. 15,000 sq. ft. / 176.5 ft. length x 83.5 ft. depth x 28.5 ft. height
Net 1: 1,663 sq. ft. / 33 ft. length x 39 ft. width x 19 ft. height
Net 2: 1,930 sq. ft. / 30 ft. length x 35 ft. width x 22 ft. height
Net 3: 894 sq. ft. / 18 ft. length x 18 ft. width x 19 ft. height
 

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